So few films get at the Sisyphean rigors of a seemingly normal, everyday life the way a man who has achieved financial success, a wife and 2.5 well-adjusted kids can feel the world closing in on him, can become paralyzed by fear.
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In a truly remarkable year for movies (when not just 10, but at least 20 titles deserve to be mentioned), no achievement was more remarkable than this to sit in a movie theater for nearly five hours and be so deeply moved so consistently is no ordinary thing. “ As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty“Ī movie 30 years in the making, and worth every minute of the wait, as maverick “filmer” (to borrow his own word) Jonas Mekas reflects on the last three decades of his life via some of the most ecstatically beautiful “home movie” footage ever recorded. In alphabetical rather than hierarchical order, and though I did my best to keep it to 10, that didn’t work so well. Marvelously insightful about how Vietnam happened, it’s told from the point of view of an innocent 1955, when Graham Greene’s novel was published for once the love story illuminates the politics and the history rather than burying them.ĭespite being a Japanese animation seen by all too few people, this film spirited me away probably the second best film of the year.Ī brilliant exercise in self-aware melodrama, this Almodovar film now looks better to me than it did at its premiere seven months ago in Cannes.Ī profound and moving sociopolitical treatise on the “new” Mexico masquerading as raunchy road movie. When Spielberg and Cruise give you a thriller that visually amazes and actually makes you think, it’s got to be on your Top 10 list. Dalloway” with acting to die for probably the best film of the year, it left me breathless. I’m not sure if this film ultimately adds up to anything or tells us anything about ’50s prejudice that we didn’t already know nevertheless it’s a sublime simulacrum of Sirkian melodrama that makes you see film history (and theory) in a whole new light.Ī brilliantly calculated tour de force by German director Tom Tykwer, whose films are far richer than they appear at first glance - the reverse of the usual equation.Ī stunning, subtle, thrice-told adaptation of Virginia Woolf’s “Mrs. Jack Nicholson at his peak in a Middle-Western by one of our most talented directors it’s ambiguous about its irony (or lack thereof) and is meant to be that way.Īn amazing tonal juggling act by neophyte director George Clooney, helped no doubt by genius screenwriter Charlie Kaufman. Missed (and probably would’ve liked): “Femme Fatale,” “Late Marriage,” “Bloody Sunday,” “Adaptation,” “About Schmidt,” “8 Mile,” “Spirited Away” Runner Ups: “The Kid Stays in the Picture,” “24 Hour Party People,” “Roger Dodger,” “The Cockettes,” and “The Crime of Father Amaro” It may make some nationalistic types squirm, but they can just go home and slip that “Top Gun” video into the VCR and remember America can still kick ASS!Īfter the last Dogme installment “The King is Alive,” it was nice to see people getting along.Īre these people for real? Churches making cash by creating a hell that features “Abortion Girl” and the “Fag dying from AIDS.” Good clean fun and profit to be had only in America. Sir Michael Caine is of course brilliant. The kids are quirky and the adults are even more so.
Bravo! Dark humor, great animation, and finally an acknowledgment that all happy families aren’t nuclear.Ībsolutely captivating! I was on the edge of my seat, and all for a spelling bee. Imagine Disney dreaming up heroines coming from a dysfunctional family complete with social services and a host of outcasts. Even more bizarre is the stroll through a vagina. Two men form an unlikely relationship through their affection for an unconscious woman. Another daiquiri, please!!Īlmodovar once again captures the sublime in human relationships.
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The opposite of how to be young, this film is a beautiful flashback to an age when freedom and individuality were only propaganda slogans. Beyond the obvious appeal, it’s a great reminder of how to be young. Three hotties on a hormone-filled road trip to the beach. Great humor and a fab cartoon to boot! (I’m glad I voted) Still, the truth doesn’t have to be entirely harsh. The film is beautiful, unique and long, but when it ended, I hadn’t noticed that nearly three hours had passed. And the winners are…Ī brilliant film displaying human frailties, intrigue, jealousies, and shortcomings are not lost on the top of the world. This year’s contributors were: editors Brian Brooks, Eugene Hernandez, Wendy Mitchell, Matthew Ross, and Erin Torneo and contributors Peter Brunette, Eddie Cockrell, Howard Feinstein, Scott Foundas, Brandon Judell, Anthony Kaufman, and David Sterritt and Mikita Brottman. (indieWIRE: 12.27.02) - Every year, indieWIRE asks it staff and regular contributors to submit their picks for the 10 best theatrical releases of the past 12 months.
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